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boss fc-50 midi foot controller manualLastmanuals provides you a fast and easy access to the user manual BOSS FC-50 MIDI FOOT CONTROLLER. We hope that this BOSS FC-50 MIDI FOOT CONTROLLER user guide will be useful to you. To adjust the volume level To increase the volume, rotate the volume knob clockwise. When the volume is adjusted, the volume level will be shown on the display panel as a number ranging from 0 (lowest) to 46 (highest). B) Press one of 1-6 number buttons shortly to turn on the preset station stored in the preset memory bank of the number button for the current band. When the auto-storage operation is completed, it will turn on the preset station stored in the memory bank of the 1 button. When the field strength level is more than the threshold level of stop level, the radio is holding at that preset station for 5 seconds with releasing mute, while memory digital and frequency will flash on LCD, and then scan again. To scan for strong signal of radio station Press SCAN button to scan up by one channel step with station detection. If a valid signal has detected, the current frequency is blinked within 5 seconds, then press it again to stop scan and remain the current frequency; otherwise, the unit continue to scan up by one channel step with station detection 5 seconds later.In any way can't Lastmanuals be held responsible if the document you are looking for is not available, incomplete, in a different language than yours, or if the model or language do not match the description. Lastmanuals, for instance, does not offer a translation service. Feel free to sign up today. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Just checked and it's there.We work hard every day to make sure our community is one of the best. Enjoy!If you love the forum as much as we love bringing it to you, please show your support with a generous donation. We really appreciate it!http://turbobg.com/fckeditorfiles/boss-cx250-manual.xml

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Compact metal foot controller for patch selection on VGA-Series guitar amplifiers Can be connected to optional expression and control pedals for expanded realtime control MIDI control capabilities permit use with MIDI-compatible effects processors. Most are the number of patches to the feet, it helps to have 10 available with one click of the foot. The change of less concern Tage patches there are 10 or 100 patches. On the other hand it does not possde expression pedals. Depending on the application the can s'avrer okay, but if we rechercheune use further prfrez his great ERRF the FC200, because adding what's missing it co t cost is suprieur the FC200. You must know what you want before purchase - How do you report qualitprix. I find it a bit expensive for what it offers for the era it was worth 1,190 francs, or 180 - With the exprience, you do again this choice.By using our services, you agree to our use of cookies. Find out more. Not all our items are here in Shibuya where we ship our international orders from and this means it might take a few days to have it transferred here once you have placed your order. There is a chance that they may sell out in our retail location beforehand. We update our information daily, but there is still a chance this may occur. In this event we will cancel the order and refund any payments received. Thank you for your understanding. All import dutes, procedures, or customs fees are the buyers responsibility. Please contact them to ask about shipping. All items were tested by our store staff when we bought it and we test each item one more time before shipping them out to make sure they are fully functional. Not all our items are here in Shibuya where we ship our international orders from and this means it might take a few days to have it transferred here once you have placed your order. There is a chance that they may sell out in our retail location beforehand.http://www.kmkonsult.cz/userfiles/boss-cx1800-manual.xml We update our information daily, but there is still a chance this may occur. In this event we will cancel the order and refund any payments received. Thank you for your understanding. All import dutes, procedures, or customs fees are the buyers responsibility. Please be aware of the requirements for your country.Please check the fields highlighted in red.Currency. New photos from Skylark of his pristine G-77 Fretless bass. This is a quality, made in the U.S.A. cable produced by 'MagicTrashMan' in North Carolina. Check out the description and video on the cables page.Complete on YouTube (no talking)!The inventive and adventurous Andy Summers was busy rewriting what a rock guitar player could be. Volume 2, number 2, of the Roland Users Group magazine featured a great interview with Andy, reproduced for the first time on the web!This combo said goodbye to Roland guitars and dedicated guitar synthesizers like the GR-300 and G-808 in favor of a system that could be mounted on any guitar, and used to control any MIDI synthesizer. Read Warren Sirota's review of the GK-1, GM-70, and the MKS-50 and MKS-70.Electronic Musician magazine started life as Polyphony magazine, edited by young writer named Craig Anderton. Seemingly produced by on a single typewriter in the early eighties, this Polyphony article features insights and modifications for the Roland GR-500!Detailed photos and videos!A profile of a Parker NiteFly SA with factory Roland GK-2A. Demos with Roland GR-100, GR-300 and GR-700.Vintage Sounds in a Modern Analog SynthThank you Chuck Nin!Thank you Eric Rusack!With Steinberger folding leg rest!Rare 'Endorsee' finish with Silver hardware.You can download the newly posted '24-25.dxf' CAD file to make your own 24 to 25 pin mouting plate. I used the company Big Blue Saw to make my 24-to-25 plates from aluminum. The price for a single piece can be expensive, but if you order in quatity the price will drop considerably. Plus, they have specials from time to time!https://www.informaquiz.it/petrgenis1604790/status/flotaganis28032022-1220These sample sounds were intending to give some direction on how to use the GR-100, using features such as Filter Modulation, Chorus, and Vibrato, all served up with the classic hex fuzz sound the GR-100 is famous for. Check out this new YouTube video I posted which goes through the Sample Sounds to get a little flavor of what this vintage 'electronic guitar' synth sounded like!The unit has both 13 and 24 pin inputs, and a master analog switch to select between the two. There are six amplifiers for each string input, used primarily to boost the 13 pin signals to the 24 pin format, but they can also be used individually to amplify any single string input, whether 13 or 24 pin. An outstanding track is the tune 'Valley of the Kings', using the 'Duet' mode of the GR-300. Super clean photos from an auction by Tone Tweakers.Or check out a demo of the Roland GR-300 patch created by the legendary Scott Summers.From the 1984 NED Owner's Manual.Control vintage 24-pin Roland guitar synths like the GR-700 and GR-300 with modern 13-pin controllers like the GK-3, GK-2A or the Godin series of guitar controllersFaster Response!! From Roland to Steinberger to Ibanez to the ultra rare Octave-Plateau Voyetra MIDI guitar, MIDI was everywhere. Voyetra is the same company that produced the Kat and Kitten analog synthesiers, the ground-breaking Voyetra Eight polyphonic analog synthesizer, and the ultra rare Octave-Plateau Voyetra MIDI guitar. Hard rock icon Bernie Marsden with a Roland G-808!Kalamazoo made Gibson Les Pauls have been called the 'Holy Grail' of electric guitars. These vintage guitars combine all the craft and musicality with the feature-rich Roland LPK-1 electronics package, the same electronics found in the G-303 or G-808 guitars.This is Space Station MIR, a collaboration with Flugelhorn Horn genius and composer Michael Wetherwax, with Wayne Joness on keyboards and programming. Watch Now on YouTube. At long last!https://www.formuladesign.com/images/boss-fc-50-midi-foot-controller-manual.pdf The final schematic for the BX-13 Micro is available on the website. This design incorporates a VCA (voltage controlled amplifier) with an option to select either guitar or hex fuzz as the guitar signal, plus using controller 2 (resonance) as secondary control source acting as a EV-5 pedal.Check out the exclusive photos published for the first time.New video posted featuring a layered bass combination of the Roland MKS-70 (same sound engine as the GR-77B) and the GR-77B.The previous interview was an abbreviated version.A home for one of the rarer custom Gibson vintage Roland guitar synth controllersThe Roland GR-77B and G-77 pages have been updated. Be sure to check out the G-77 page as well.High-Res Brochure from 1985Tubo Lover rocks!The original FC-100 was basically an extension of the device it was connected to, as there was no programming of the original FC-100. The FC-100 MK II, when used with the rare Roland RMC-1, offered quite a bit of MIDI control, including MIDI system exclusive messages. A look at the interior of the original FC-100 shows no such alternate labeling. For users of the Roland GM-70 vintage pitch-to-MIDI controller, this second expression pedal is not recognized by the GM-70. Functionally, for GM-70 users, there is no difference between the FC-100 and the FC-100 MKII. From time-to-time you will come across a FC-100 that has been modified to include a MIDI output jack. I do not have a FC-100 to work with, but my guess is that if you needed to hack together a RRC to MIDI OUT circuit to mimic the RMC-1, you could try connecting the RRC pin 5 (output) directly to pin 5 (output) on a MIDI DIN jack. Also, it appears that the MODE switch would be set to position II, the position used for the RMC-1. You may need to experiment.If you have some basic soldering skills, it is easy to make a replacement cable. The replacement six pin connector is readily available, usually referred to as a power connector. You also need some six-conductor wire.http://www.insurancedirectcanada.ca/wp-content/plugins/formcraft/file-upload/server/content/files/1626ec099bf303---bosch-maxx-washing-machine-service-manual.pdf Old computer serial cables use eight conductors, or you can search for specialized wire. Please upgrade your browser. The problem is that it seems that the message is sent only once, that is, I can activate the effect but it is not deactivated when I press the second time. Someone could have suggestions, please? thank you For example, I see that the key 1 receives and sends, via “log window”. Instead the plugin does not respond, no changed any settings on the Live track or any cable connection, months ago everything worked. Thanks for your help! From your log, it looks like it is putting out the right thing if you want to send Control Change on MIDI Channel 1 CC1 value 127 and then later send CC1 value of 0 20 msec later. I can’t remember if Abelton Live plugins are universal or assigned on a per project basis. Error of mine, ?? thank you so much! Modify as needed. Could you tell me please where I am wrong.So I tried to assign a note midi in the outgoing, Ableton recognizes it but the key does not respond correctly because my inability to program the Rules. Could you help me to resolve this tip, Steve, please. Thank you so much!! The first one starts a timer, the second one sends a note-on an then the third one sends a note of at the given delay to emulate the release of the button. Ableton do not receive midi notes now, perhaps because in the third. Translator 3: PC 5 Timer. I did not find the “swallow” option?I’ll fix it and post it back. Also you have options “Stop” on your translators. You do not want this. Thanks again! You can see on the screenshot the log of what is happening. Would you kindly be able to send me a working file, if possible, please? Instead the preset ”NEW” is just a test you can delete it. The MIDI IN port what i use is FF440, the outputs do not know exactly what I need, I just have to control the Live’s looper. I checked the file you updated, it does still not work, Steve. I do not know where I’m wrong.www.delhigurgaontrophy.com/userfiles/files/construye-tu-vida-sin-adicciones-manual-del-facilitador.pdf Would you be able to control the behavior of the Ableton Looper button with a mouse for a moment, please?In this example we are using BMT1 as input to Ableton Live I generally do this for my controllers that have LED’s that I want Ableton Live to provide feedback to. Of course in your case you might have to translate any LED feedback coming into your controller to something it will understand (if it even has LED feedback) Are you able to send me a brand new file with a template of a controller type like that, please? FAB-01a-sjc.bmtp. The only thing I saw really wrong was that by default translators take input from all checked input ports and send output to all checked output ports. In the preset, I changed it so input only looks at your controller and output only goes to BMT1 (attached to Ableton Live). I tested it on my system.Maybe we can program your controller to send different MIDI notes for each of those instead. Circle, Plus, Right arrow and square. Then delete the MIDI map for Loop that I showed you before on top of the screen. Come out of MIDI learn mode and now Note C3 should be mapped to the looper button you described. Works perfectly on my system. Goes between the plus sign and the right arrow sign if this is what you want. That is what it does if I click this button as well with the mouse. Is there another button you also want to program with this behavior. If so, we will have to adjust your MIDI output to send to multiple learned buttons based on how you have set MIDI learn for each of them.This caused it essentially to set it to one state (first note on) and then immediately set it to the second state (2nd note on). If you change this within a translator, you can override these if you would like. Translator Level overrides both preset and project level. From what I can see it effect the following translators: I’m just looking to trigger tracks in ableton, that’s it.Here would be a translator from PC1 on MIDI channel 1 to Note 1 on MIDI channel 1.http://www.agrosystem.com.tr/wp-content/plugins/formcraft/file-upload/server/content/files/1626ec0a617d22---bosch-maxx-wfl-1600-user-manual.pdf You would simply apply this translator and then use MIDI learn in Ableton. Your translator will handle the routing. Leaving the default route on will mean other MIDI messages will also get through and may confuse Ableton Live. Above the MIDI router section in the input section, check your box for USB MIDI so the input port is open. Then in the output section open port Bome MIDI Translator Virtual Port 1 for output. If you do it right, both ports will show as open. Assuming your Boss FC-50 is actually sending Program 60, it should work. And you should be able to turn on Ableton Live MIDI Learn and select the clip you want to launch to learn that note for clip launch. Steve Caldwell. Bome Q and A Moderator andTrouble is that it will only start it, not stop regardless of the launch mode I have set to in ableton. You will need to set up notes to launch other clips (to stop the current clip if on the same track) or stop all clips or stop scenes. With that said, however you can set up Bome so it sends out different notes on each successive press of a given foot switch. Happy so far. Also there are no planned development activities on the classic version. If you want to compare the features of both, you can look at the link below and make a choice from there. We are fortunate to continue business as usual, orders are shipped on same or next business day. We are all safely working from home and our thoughts are with everyone who suffers from the pandemic. Dismiss. Problem is that I'm getting a slight pause between patches when I use the pedals on the Control 8. Here is my signal chain: FX loop SEND from Mesa Studio PRE to the input of the Boss, then the outputs of the Boss go back to the returns of the Mesa Pre (they are stereo returns). Thats pretty much it.not sure if I'm missing a setting somewhere to get rid of the pause.The whole of it calls for tears.? -- Seneca The whole of it calls for tears.?https://www.etoiles-recrutement.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626ec0b3351ba---bosch-maxx-washing-machine-user-manual.pdf -- Seneca In one of the reviews on Harmony Central someone said they were using their SE 70 with an ART X-15 midi footswitch. I'm assuming that if the person was happy with the set up then they would NOT get pauses between patch selection. I could be wrong. I do have the original manual. It suggests using the Boss FC 50 midi control pedal, and it does show a sample set up using it in a guitar rig. So I would imagine that the FC 50 would NOT have a pause when changing patches.where the Control 8 does.for some reason. Any of that sound right. Thanks again. Anyone else out there using a Boss SE 70. I recently got mine and have to say that the effects sound GREAT. The whole of it calls for tears.? -- Seneca If so, then the pause is inherent in the DSP chip(s) and there's not anything to be done about it. I would tend to guess that the Harmony Central poster is using MIDI continuous controllers from the pedals and buttons on his floorbox to control the parameters of the current patch. So in other words, you have all the tones picked out for song you're doing, and they live in a single FX patch, which you can punch on or off any of the individual FX in a chain with y'r footcontroller buttons or pedals. See your foot-controller manual and the SE-70 manual for more information on setting up CC chains. Hope that's helpful. That makes perfect sense. I did read in both manuals about setting up Continuous Controller mode.guess I'll dive in. Thanks again! Would still love to hear from somebody who plays guitar live with a Boss SE 70. M. For a better experience, please enable JavaScript in your browser before proceeding. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Is there a way I could do that. I know I can skip patches and go straight to a particular patch like having a few solo patches on hand, but I already have two Boss fs-5u's for changing patches, and an expression pedal connected to the back of the Roland.defaico.com/d/files/construir-una-bomba-de-agua-manual.pdf Is it that I need a controller with more CC capability or it's that the Roland is limited like that? For each Patch number, you can specify up to 16 parameters (assign numbers 1-16) and the controller will control each parameter. For each Patch number, you can specify up to 16 parameters (assign numbers 1-16) and the controller will control each parameter. Just wondering before I sell and buy another controller. Just wondering before I sell and buy another controller.There are several free programs you can download and use on your computer to do any kind of MIDI test, if you have a MIDI interface or an USB to MIDI cable for your computer. That would be a commonsense test to do before buying a new controller and maybe discovering you're having the same problem again.As for requesting help with these matters.You scream for help.Doesn't work that way.There are several free programs you can download and use on your computer to do any kind of MIDI test, if you have a MIDI interface or an USB to MIDI cable for your computer. That would be a commonsense test to do before buying a new controller and maybe discovering you're having the same problem again.As for requesting help with these matters.You scream for help.Doesn't work that way.I'll take it from here. I'll take it from here.How about that? Then, they go to a forum asking questions that the manual clearly addresses because they're too lazy to read the book. If you must know, the answer is on page 52 of the manual. How about that?But you coulda just explained what cc is and that the fc-50 wasn't the right controller, the manual doesn't explain that silly goose. But you coulda just explained what cc is and that the fc-50 wasn't the right controller, the manual doesn't explain that silly goose.But you coulda just explained what cc is and that the fc-50 wasn't the right controller, the manual doesn't explain that silly goose.Yes, but very limited. But you must use expression pedals or footswitches. You are here at the invitation and discretion of the owners. As such, rules and standards of conduct will be applied that help keep this forum functioning as the owners desire. These include, but are not limited to, removing content and even access to the forum. Please give yourself a refresher on the forum rules you agreed to follow when you signed up.For a better experience, please enable JavaScript in your browser before proceeding. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Then it can change from bank 0-12 and will give 120 possibilities for controlling the Axe Fx parameters. Anyone who can please help or know where I can get and read a guide to set this up. Any help is appreciated. More than likely you will have NO issues sending PC (program change, aka preset change) messages. If the FC-50 can do scenes, I am not sure. Many midi controllers can send CC messages but often only data values of 0 (off) and 127 (on). How much midi experience do you have? A supporter from G66 advice me to reset the Unit and it worked again. But it seems to it change nothing, it will not register the signal from the Boss FC50. Anything wrong here.? This must be possible. So far. It only change presets. It supports exactly 2 CC messages, which are mapped and sent only when you have external switches connected to the switch jacks on the back of the FC-50. So, you can do scenes in a limited fashion. With Preset Mapping on the Axe Fx. Check the Axe Fx manual for more details on Preset Mapping- there are some things you have to set to make it work. I believe Ignore Redundant PC needs to be ON. Good luck. While it is possible, the FC-50 doesn't seem like a great fit with the Axe Fx. I'll test it and eventually get back to how it works. Of course I have realized that I need to buy a better midi foot controller, and it may very well be the MFC 101 MK3, but for now it could be necessary (for a while) to use Boss FC50 for recording, I'm afraid. You can only send PCs from the FC-50. Glad you got something working! By continuing to use this site, you are consenting to our use of cookies. It also has buttons for bank switching, AND it has jacks on the back to attach a remote set of pedals to switch banks. I plugged in an M-Audio Black Box Pedal Board for two of the switches and one EXP and another double footswitch for the other two CC jacks. These pedalboards are sitting in junk boxes at some music shops and can sometimes be had a a great price. You can use any cheap expression pedal with them two. If you use MIDI-OX, you can even make the PC footswitches do other things that select patches. Note, the BANK switches cannot be configured to do anything else when plugged directly to the GR-55, but probably using MIDI-OX to translate them to other functions, like CC's, they might. Switching patches works fine, but you have to translate from 99x3 to 1-99, and add BANKs for more depth. This is not user friendly and cna result in brain freeze if you watch the two displays and are not accustomed to diverging numeric displays. Therefore, I would use the pacth changer in the GR-55, unless the GR-55 is away in a rack or something. Then you need a patchlist on paper or iPad, etc, because the GFC-50 has only a two digit 7-segment LED display, no text. It also has two bank switches and the 1-10 PC switches. It runs on a 9VDC wart or 6xAA batteries, and includes a battery saver mode for extending the battery life. OR, just putting the control board into the M-Audio Black Box and adding two footswitches to it for a cool little buddy box controller. Any-hoo, it works! It could work for some players. There are better newer controllers out there, but the Roland pedalboards have a great tactile feel and with the dual EXP's, bank sw jacks and two CC jacks, it can offer some good control options. It is long out of production, AFAIK. I'm trying to change patches on my GR-55 with the GFC-50, it works fine in fix mode, but when I change to prog nothing, I have a GT-100 also hooked up to the GFC-50 via a midi thru box and that works fine. I have watched the video by Mrchevy. I'm sure I have missed something simple but hey that's me all over. Hope someone can help while I've still got some hair, Bob Just to add to this, I've just tried the GFC-50 straight to the GR-55 and it doesn't change patches in PRG mode, so it seems the GFC-50 will talk to the GR-55 but only in FIX mode, unless of course I'm missing something. Lets see if we can get you going.GT100 midi OUT to GR55 midi IN.Unfortunately, I'm not familiar with the GFC so I'm not sure how to direct you with it. It could also be the signal flow of the midi.Also after reading what your controlling ( GR55, GT100, and amp channel switching, do you use the GFC for anything else because you should be able to do what your wanting to do without the GFC and do it all with the GT100 as the main controller. Cheer's mate, Bob Maybe in a future update. Or if you were starting from scratch with this lot - how would you set them up? I'd use the same approach. Hope this helps: Then, the outcome becomes more likely. - Fripp The VG99, FC300 and FS-6 are all teamed together. At the moment the GR55 stands alone which is where (possibly) the FC50 comes in. The output either goes (or both) to my mesa amp or through a patchbay to a Yamaha N12 mixer teamed with Cubase. It is making the most effective use of the FC300 and the FC50 for which I am seeking ideas. Then I'd start to program in that direction, pairing the FC-50 (or the FS-6) with the GR-55. I don't have a ton of automation on my GR-55. The toughest question is how you want to do patch changes on the '55. Don't know the FC-50 enough to know if you can utilize it for that. Then, the outcome becomes more likely. - Fripp. Something went wrong. Looks like this page is missing. If you still need help, visit our help pages. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. This may happen as a result of the following: Javascript is disabled or blocked by an extension (ad blockers for example) Your browser does not support cookies Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. In Rigs in denen ein Wah Effect einem Stompslot zugewiesen wurde wird dabei automatisch aus dem Volumenpedal ein Wah Pedal. Die Stomp muss naturlich aktiviert sein. Au?erdem muss CC7 auf dem richtigen MIDI Kanal zum Profiler geschickt werden. Ob da was ankommt kannst du im System Menu sehen Die CC Werte werden nicht geandert, sondern nur die Zuweisung der Parameter zu den Werten. Dein Problem kann ich aber auch nicht losen, gut moglich, dass das nicht funktioniert. Ich habe testweise ein Midi Pedal auf CC1 gelegt, damit konnte ich das wah nicht steuern. Das funktioniert anscheinend nur umgekehrt. Vielen Dank schonmal soweit. Dann spare ich mir vorerst weitere Versuche. By continuing to browse this site, you are agreeing to our use of cookies. If you would like to use all features of this site, it is mandatory to enable JavaScript. Based on the radius, a new location list is generated for you to choose from. All tube, 50 watts, three channel, two master volumes, reverb, all switchable via the included foot switch or built in midi. Speaker has been upgraded to a WGS Veteran.Comes with a printed manual along with some of the magnet pedal identifiers (pictured). Perfect controller for your Axe FX. This is the Mark III and the most advanced of this generation of controllers (a lot of excellent features that make it much more sought after than the Mark I and Mark II). I've priced this to sell. If you have any questions,.AC Adapter A Foot-controlled MIDI Command Center The Roland FC-300 MIDI foot controller gives you the power and flexibilty to control any performanced-based MIDI instrument or device with ease, onstage or in the studio. The FC-300 features two assignable expression pedals, two control pedals, nine footswitches and even more expandability, and can store up to 100 MIDI setups. Live performers will benefit.I’ve upgraded to the III. This one is in great condition. It's 2U high if you rack it, They have two DSP’s, one for FX and one for Amps and Cabs, so you can put together some pretty insane sounding blocks without maxing a single DSP. No trades (my wife will kill me).Including power supply and midi cable.AC Adapter A Foot-controlled MIDI Command Center The Roland FC-300 MIDI foot controller gives you the power and flexibilty to control any performanced-based MIDI instrument or device with ease, onstage or in the studio. The FC-300 features two assignable expression pedals, two control pedals, nine footswitches and even more expandability, and can store up to 100 MIDI setups. Live performers will benefit.Inclus adaptateur. Velcro au dos du mastermind. SVP pas d’echange. Merci Shipping possible si necessaire.Comes with original box. The sheet with the graphics that has been glued to the actual pedal enclosure has a small cosmetic chip (shown in picture) above the logo. Great to use with devices capable of midi switching such as the Axe Fx, Kemper, Eleven Rack and Helix. Product Information: The Voodoo Lab Ground Control Pro is a full-featured MIDI foot controller that gives you amazing flexibility and control. It's compatible with all MIDI controlled devices and.Open to reasonable offers.