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digitech cf7 manualCreate one here. Creators are allowed to post content they produce to the platform, so long as they comply with our policies. United Kingdom. Company number 10637289. Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Call us at 877-880-5907. Two outputs offer either mono or stereo operation. In addition, the CF-7 also features Digitech's exclusive Flexible Output Mode allowing you to plug it directly in to amplifiers or in to a mixer with acclaimed CIT cabinet modeling. And the cast metal chassis and a sleek carbon fiber finish make it an industrial-strength creative tool. They are trademarks of other manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product. All Rights Reserved. Publisher does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturer's specifications or changes, or grammatical inaccuracies in any product included in the Musician's Friend catalog or website. Prices subject to change without notice. Subscribe to our free newsletter This isn't a rack mountable piece of gear as it is a stomp box. UTILIZATION Using the DigiTech CF-7 Chorus Factory is fairly easy as all of the parameters are laid out smartly and are easy to access. The pedal has parameters for speed, depth, control one and two (which are both on the same knob) and another knob for choosing between seven different modes. There isn't much more to say about the pedal other than its really easy to use and I can't imagine anyone having too many problems with it. I don't have the manual for the DigiTech CF-7 Chorus Factory but it is easy to use and one really isn't necessary.http://englandmatchshirts.com/assets/brother-mfc-270w-manual.xml

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SOUND QUALITY I've only used the DigiTech CF-7 Chorus Factory with electric guitar with good results, but I would bet that this would work fine with any other electronic instrument like a digital keyboard or bass guitar. I usually use the pedal with a Fender Strat and a '76 Fender Twin Reverb amplifier so I'm confident that I'm getting an accurate sound from this pedal. While I do like some of the modes on this pedal more than others, they all do sound pretty good and are all certainly usable. While I wouldn't say that the sound quality is up to professional standard, it does sound good and is useful in a number of situations. OVERALL OPINION I've been using the DigiTech CF-7 Chorus Factory for about a year and its a pretty good pedal considering its versatility and the cheap price. It is possible to get a wide array of different sounds from this pedal and all of them are decent if not better than that. If you are looking for a chorus pedal that you can get a bunch of different chorus tones from, the DigiTech CF-7 Chorus Factory is worth a look to see if it will fit your needs. By using our services, you agree to our use of cookies. Find out more. Don't let that put you off. This pedal has so many mode settings that offer so much, it's not easy (but fun nonetheless) getting used to how each control works in relation to the selected model. The easy-to-follow user manual has a multi-page layout showing the different controls available for each model. Just don't expect to work out what everything does in five or 10 minutes. Then out to my Trace Elliot GP12 valve pre-amp and into a set of Beyer cans. I haven't had a chance to gig with this pedal (yet) but I think it will be fine once I get it dialed in. Highly recommended. If you've got this far.Paste as plain text instead Display as a link instead Clear editor Upload or insert images from URL. Please check your inbox, and if you can’t find it, check your spam folder to make sure it didn't end up there.http://artecgroupservices.com/imagenes/brother-mfc-420cn-printer-manual.xml Please also check your spam folder. In no event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their control. Some information contained in this manual may also be Combined with the included suite of recording, editing, and production software, the GNX3000 Guitar Workstation is a complete solution for your performing and recording needs. However, your time would be well spent by reading through the Quick Start section on page 3 (as well as the rest of this Owner’s Manual) with your GNX3000 in front of you. Plus you can get all the latest updates and lots of cool tips and tricks. Everything should be included and in perfect working condition. However, if you find anything missing, please contact the factory at once. Please take a moment to fill out the warranty card or register online at www.digitech.com. It is your safeguard in the unlikely event that the GNX3000 develops a problem. Gradually turn up the GNX3000’s output level until you reach your desired listening level. For additional setups see page 27. Plug your guitar into the GUITAR INPUT and plug your headphones into the HEADPHONE OUTPUT.Play your guitar to hear it. To adjust your microphone input level for optimal use see Mic Level Optimization on page 26. To adjust your line input levels for optimal use see Line Level Optimization on page 26. If the Effects section is active, you can select and adjust effects.The knobs adjust settings for whichever section is active. For example, you could assign Chorus speed, Chorus depth, and volume to the EXPRESSION PEDAL so that they all increase when you rock it forward, and decrease when you rock it backward. See page 75 for more information about assigning functions to the EXPRESSION PEDAL. See page 36 for more on modes.http://www.raumboerse-luzern.ch/mieten/3m-mp7740i-manual You can also press pairs of footswitches to activate the Learn-A-Lick TM feature, bypass individual effects or the entire preset, access the tuner, or change the Footswitch modes. Each time the mode is changed, the name of the new mode will be displayed briefly. Choose the Warped channel to hear a unique amp and cabinet combination based on the amps and cabinets assigned to the Channel 1 and Channel 2. Learn-A-Lick TM, Bypass,Tuner and Mode functions are accessed by pressing the labeled pair of FOOTSWITCHES. For example: Each time the mode is changed, the name of teh new mode is displayed briefly. Split 2 is the same as Split 1 but the guitar signal is also routed out the XLR OUTPUTS.See page 99 for a list of drum patterns and page 128 for a list of samples. Most GNX3000 parameters can be assigned to the EXPRESSION PEDAL.Applying extra pressure to the toe of the EXPRESSION PEDAL changes the EXPRESSION PEDAL ’s function to control the Wah. Line signals can remain dry or be processed through the GNX3000’s effects for live and recording applications (see page 25 for more information). DO NOT connect a mono plug to this jack, as it may damage the output driver. MIDI preset changes and CC control messages received from external MIDI devices connected to the MIDI In jack can be used to control the GNX3000 and its preset parameters. When the GNX3000 is connected to the computer Press the EXIT button to save your selection. Speaker Compensation can be turned on and off Depending on which application you are using them for, you can enable or disable Speaker Compensation on either output pair independently. If you want to use one set of outputs for running into This can be done one of two ways on the GNX3000: While singing or during an acoustic performance, adjust the MIC INPUT level on the back panel of the GNX3000 until the CLIP LED next to the CONTROL PANEL lights only occasionally during the loudest parts of the performance.http://alliaksesuar.com/images/breville-muffin-magic-manual-pdf.pdf If the signal is weak and cannot For many GNX3000 users, its primary purpose will be for use in live performances.The following diagrams show examples of how to utilize the GNX3000 in typical live performance applications. Using two cabinets gives you much more dramatic stereo separation and helps widen the sweet spot for your sound when you move onstage. Another great idea is to run the XLR OUTPUTS directly into the house P.A. and have the sound engineer control your front of house volume in the overall mix.Then if you need to turn up your stage volume, you won’t upset him by trying to rebalance your guitar volume in the house mix.This diagram demonstrates a typical, large stage performance setup. Shown below is a typical recording setup. Connect your guitar or bass to the GNX3000’s GUITAR INPUT and use the amp models for tracking your guitar and bass parts. Next, plug in the mic and get your vocal or acoustic performance nailed.You can even add line level instruments or feeds from submixes in and record these and all of this completely hands-free. Even your MIDI keyboard performance can be recorded so you can try the part with different synth voices later. Since the GNX3000 has professional BALANCED OUTPUTS, you can plug directly into your favorite powered monitors and get the bonus of latency free recording to boot. For more information about computer recording, see page 101. To adjust your microphone input level for optimal use see Mic Level Optimization on page 26. Connect the other end of the PSS3 power supply to an AC outlet. Presets can be recalled with the FOOTSWITCHES or the DATA WHEEL. The GNX3000 comes with 65 Factory 1, 65 Factory 2, and 65 User presets.The Factory Presets do not let you store changes to them.The User presets let you store changes. From the factory, the 65 User presets are exact duplicates from the 65 Factory 1 and Factory 2 presets.This lets you create your own presets without worrying about losing any of the original presets.https://creationstationdance.com/wp-content/plugins/formcraft/file-upload/server/content/files/16286deb2d1b25---cadence-treadmill-manual.pdfWhen you select a preset, the name of the preset appears in the green display and the number of the preset appears in the red numeric display.The USER LED to the left of the DATA WHEEL lights indicating the User preset is active, or the FACTORY 1 or FACTORY 2 LED lights indicating a Factory preset is active. This is very useful for picking out the notes of a fast guitar solo. Set the volume level of the player to match the level of your guitar. The display The display reads: RECORD. The red numeric display provides a time elapsed reference while recording is in process. When recording is complete, the recorded passage is set in an auto-loop playback, indicated by play appearing in the display. When the GNX3000 is bypassed, the display reads BYPASS and all LEDs in the Matrix turn off. Press any Footswitch to exit Bypass and return to the last preset.The Matrix and Programming buttons do not function when Bypass is activated. To bypass the GNX3000’s presets while Preset Bounceback is enabled you must press FOOTSWITCHES 2 and 3 simultaneously. If this is your first visit, be sure toTo start viewing messages,We hope you become a regular here. We are a friendly bunch, and there's tons of great information in here.There are a lot of different chorus tones available. I usually keep the level at noon, the speed at about 10 A.M., and the depth dimed. I like those two models so much that I really haven't messed with the others too much. I'd also like to have a second ampf to see how some of the stereo stuff would work. The manual says that the CF-7 will only get about four hours of continuous playing out of a 9v battery. As soon as I got it, I removed the battery and put it on my 1-Spot's daisy chain. No worries. The long and the short of it is that I really like it. I don't know because I'm a cheap person-of-questionable-parentage.www.comycevalencia.com/galeria/files/carrier-50hj-manual.pdfMy Zoom G1X was a bargain on eBay and I'm still learning with it, so many options and I'm just getting into the Chorus and ensamble settings and learning more about getting that just right sound from my pedal. I have so many amp models to choose from but have found about three that I use most often. Because most computers are easiest to set up using a single device to handle both the audio input and output, the guitar also includes a quarter-inch stereo headphone out jack for monitoring purposes. It also includes a virtual tape machine for playing back loops or audio files, so you can use it as something to jam along to. Normally a 30-day demo wouldn't be that thrilling, but the good news here is that when your time is up, you can have one of the three amp models free for keeps by registering at the NI web site using the info that comes with the iAxe393. In addition to being able to play along with MP3, WAV, AIFF and OGG (an alternative compression format to MP3) audio files, the install CD also includes Audacity, a multitrack recording and editing program so, if you're new to recording, you'll be able to find your way in gently. The neck wasn't seated squarely in its pocket and the action was far higher than necessary, though the nut was reasonably well cut and the neck relief was about right. As you'd expect from the five-way switching and the familiar three single-coil pickup arrangement, the iAxe393 sounds not unlike one of the budget Fender Squier Stratocasters, though the general styling sits somewhere between a Strat and a Yamaha Pacifica. As with a Strat, the middle pickup is reverse-wound and has reversed magnets so that when the 'two pickup' positions are selected, the pickups work together as a humbucker and cancel out the majority of electromagnetic interference.https://webgirls-studio.com/wp-content/plugins/formcraft/file-upload/server/content/files/16286decd20523---cadence-pss-manual.pdf When individual pickups are selected, you can get hum and buzz if you're too close to your amplifier or to other electronic equipment, especially light dimmers, but this instrument is no worse than any other single-coil model in that respect. The fingerboard radius is fairly flat at around 12 inches or so, which helps prevent string choking when bending on the higher frets, and after a bit of a setup it would feel quite comfortable to play. There's nothing special about the machine heads, which are fully enclosed, low-cost models, but they work well enough. Two string trees keep the top four strings pushed down into the nut and, to prevent tuning problems, it is best to lubricate the underside of these with vaseline or a chap stick, especially if you plan to get medieval with the tremolo unit. It doesn't hurt to lubricate the nut slots either, with a little vaseline mixed with powdered graphite (pencil lead will do). Depending on how you tighten the screws, you can either have the trem flat against the body to give pitching down only, or you can float it just above the body for two-way pitch acrobatics. The individual cast saddles are adjusted using a pair of grub screws to tweak the height and a single, cross-head screw to set the intonation. Suitable Allen keys are included. The tremolo arm screws in, so if it works loose you can always wrap some PTFE tape around it. As far as I can see, the control arrangement is much the same as you'd expect on a Fender Stratocaster, with a five-way switch offering a choice of any single pickup or any adjacent pair. There's an overall volume control and two tone controls (one for the neck and one for the bridge pickup) with a conventional analogue output via a quarter-inch jack. The USB connection and headphone jack are mounted on a plate at the end of the guitar body just below the strap peg, and a blue LED shows when the unit is active.http://www.a-fairys-choice.com/wp-content/plugins/formcraft/file-upload/server/content/files/16286dedd44d24---cadence-reference-manual.pdf Power comes from the USB socket to which the instrument is connected, so you don't need batteries or a PSU. If you hit the strings as hard as possible, the recording level peaks at around -3dB, so it seems the engineers have got the gain structure just about spot on. The audio quality of the USB input seems fine, though it can get a little gritty when you apply lots of overdrive. Though no names are mentioned, the sounds of the three amps lean towards Vox, Marshall and Fender, at least to my ears, and though purists may never be happy with software amp-modelling, you can get some really good sounds out of these emulations. As you can try all three for up to 30 days, you'll be able to make your mind up as to which one you want to keep when you come to register. The manual states that if you have Mac OS 10.4 and above, you should select the Behringer USB driver rather than the generic USB audio device, but I tried the software on two different Macs (iBook and Macbook Pro) running OS 10.4.8 and 10.4.9 respectively, and nowhere did a Behringer driver appear as a choice. On my Macs, for some reason, I had to create an aggregate device to be able to monitor what I was doing, as the inputs and outputs seemed to be recognised as two different devices, but it worked well enough. It works fine as a standard electric guitar, but plug in the USB cable and you have yourself a nice little recording, jamming and practice setup. Don't get too animated, though, as the supplied USB lead is only around four feet long, which is a little restrictive. The pack also includes a strap and a couple of picks, as well as a chord chart, so even beginners will be able to have fun with it right away. Though quite basic it is very playable after being set up, and it has a very plausible 'classic' single-coil sound. The bundled Native Instruments software is very flexible, and even the single amp model you retain after the demo expires can cover a lot of tonal ground.cokhixaydung.com/images/uploads/files/carrier-50dj-manual.pdf Paul White The RE20 is the latest in Boss's Twin Pedal range. Roland and Boss say they've recreated every sonic detail and nuance of the original, including its spacious, analogue tone, tape flutter and magnetic tape saturation. The pedal also adds features such as a tap input pedal, which allows delay time to be set by foot, a longer maximum delay time, and an expression pedal input to control parameters like repeat rate and intensity. Available in June at ?152, it sounds like a must-have on your pedal board, and we'll be reviewing it as soon as we get our hands on one. The Digitech CF7 Chorus Factory is a stomp-format digital pedal, designed to recreate the sounds of seven different chorus pedals, from the relatively ancient to the very modern. It can work in mono, but offers stereo outputs. It runs from either a 9V battery or an optional mains adaptor. The chip at the heart of the unit is Digitech's Audio DNA2. Its Flexible Output Mode incorporates cabinet emulation, which is useful when recording without an amplifier. Emulation is off by default but can be activated by powering up the pedal with the footswitch depressed. There are two sprung pins that can be pressed to release the pedal for battery changing. There's a mono input jack, which also activates the battery, and two output jacks so you can take a mono or stereo output. Of the four control knobs, three have dual concentric controls, so you have access to six variable parameters including level, as well as a seven model types. The models are based on Digitech's Multi Chorus, Voodoo Lab's Analogue Chorus, TC Electronic's Stereo Chorus Flanger, Fulltone's Choralflange, Boss's CH1 Super Chorus, Electroharmonix's Small Clone, and the Boss CE5 Chorus Ensemble (the other companies mentioned do not endorse this product and their trademarks remain their own). The third dual knob controls modulation depth and another model-dependent parameter. Knob four is a seven-way rotary switch for model selection. A useful table on page 14 of the manual shows all the control functions for all seven models. If I'd had a choice, I'd have liked to see a mixture of chorus, flange and maybe a Univibe, rotary speaker or phaser to fill out the range. As it is, the chorus units sound very much like the originals but my guess is that most people will find the one that suits them best, then stick to that one — I don't imagine tweaking those dual-concentric knobs on stage would be very practical anyway. Other than that, the Chorus Factory is a very solidly engineered pedal that does exactly what it claims, emulating some of the best respected chorus pedals out there. At ?99, and with a 'buy-two-get-one-free' offer on Digitech's X-series pedals at the moment, it represents good value. Paul White The A-Z Of Audio Interfaces 4 weeks 1 day ago. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers. Installieren sie diese nur in Abstimmung mit den Anleitungen des Herstellers. 7. Schliessen sie dieses Produkt nicht in der Nahe von Hitze produzierenden Apparaten wie Heizungen, Ofen Herde, Verstarker oder anderen Apparaten an. 8. Schutzen sie das Netzkabel vor Schaden die durch drauftreten oder einstechen oder beschadigen an der Steckern, Steckdosen und am Punkt an dem sie das Produkt verlassen. 9. Ziehen sie bei Gewitter den Stecker aus der Steckdose oder auch wenn sie das Produkt fur langere Zeit nicht benutzen. 10. Es gibt keine Bauteile die sich im Gerat befinden die der Enduser zu pflegen oder einzustellen hatte. Bitte wenden sie sich an Fachleute um eventuelle Reperaturen durchzufuhren. Reperaturen sind nur notig wenn das Stromkabel beschadigt oder herausgerissen wurde, wenn Flussigkeit oder Teile in das Gerat gelangt sind, das Gerat Regen oder Feuchtigkeit ausgesetzt war, es nicht normal funktioniert oder es fallen gelassen wurde. 11.WARNUNG:Um das Risiko eines elektischen Schocks zu minimieren sollten sie dieses Gerat nicht Regen oder sonstiger Feuchtigkeit aussetzen. 12. Bitte lesen sie sich die Aufkleber auf dem Gerat durch. Insbesondere die am Boden befindlichen aber auch andere Hinweise und Informationen. Distortion Pedale sind in der Welt des Gitarrenspielens genauso wichtig wie Gitarrenspielen bei moderner Musik, und das DigiTech DF-7 Distortion Factory Pedal ist das fortschrittlichste Pedal das je gebaut wurde. Wir haben 7 der beliebtesten Distortion Pedale in das DF-7 gepackt und es mit unserem neuen Flexible Output Mode“ mit w hlbaren Stereo Spectrum Technology ausgestattet. Das DF-7 beinhaltet desweiteren die Flexible Output Mode“ mit einer Auswahl von sechs variablen Stereo Spektren und der bekannten CIT“ Lautsprecher Simulation. Andere Produktnamen die in diesem Dokument verwendet werden sind Markenartikel (Trademarks) der genannten Hersteller und stehen nicht in Verbindung mit DigiTech. Das sind Markennamen (Trademarks) von anderen Herstellern die lediglich dazu benutzt werden um die Produkte zu spezifizieren und zu identifizieren deren Sounds zu Erstellung dieses Produktes herangezogen wurden. Jetzt konnen sie den Gehausedeckel abheben und ggf.Stellen sie dabei sicher, dass das Batteriekabel sich nirgendwo verklemmt und das Pedal einwandfrei funktionieren kann. 4. Plazieren sie einen der Stifte uber ein Loch des Deckels. 5. Drucken sie nun mit Hilfe eines Fingernagels oder des Instrumentenkabels den anderen Stift ins Gerat und plazieren sie den Deckel auf seine ursprungliche Position. Der Stift sollte nun in das vorgesehen Loch rutschen. Fertig! Geratemerkmale 1. LEVEL Regelt die Ausgangslautstarke des Effektes. Im Uhrzeigersinn gedreht erhoht man die Ausgangslautstarke, gegen den Uhrzeigersinn verrringert man die Ausgangslautstarke. 2. LOW Regelt den Tieffrequenten Anteil eines jeden Verzerrertypen. Man kann den Anteil anheben oder verringern. 3. MID FREQ Stellt die Mitten Center Frequenz ein. Schliessen sie ein Gitarrenkabel an diese Buchse an wird die Batterie beansprucht selbst wenn die dafur verantwortliche Anzeige nicht aufleuchtet. (Bitte lessen sie hi i d S k i Fl ibl O t tM d TM h) U di L b d d B i l i h 10. Pedal Release Pins Diese Stifte sind mit Federn versehen die das Pedal an seiner Stelle halten. Sobald sie die Stifte nach innen drucken konnen sie die Gerateabdeckung losen und so an das batteriefach gelangen. (Sehen sie hierzu die Sektion Battery Replacement Diagram.) 11. Pedal Drucken sie dieses Pedal um den Effekt an- oder auszuschalten (Sehen sie hierzu die Sektion Flexible Output Mode und Stereo Spectrum Set-up). 12. OUT 1 (AMP) An diese Buchse wird der Gitarrenverstarker angeschlossen (Sehen sie hierzu die Sektion Flexible Output Mode und Stereo Spectrum Set-up). 13. Indicator LED Diese LED zeigt ihnen an ob der Effekt angeschaltet ist und in welcherindicates when the effect is turned on which Flexible Output Mode sie sich befinden (Sehen sie hierzu die Sektion Flexible Output Mode und Stereo Spectrum Set-up). Sobald diese LED nur noch schwach leuchtet (mit eingesteckten Kabeln) ist das ein Anzeichen dafur dass die Batterie gewechselt werden muss. 14. OUT 2 (MIXER) Dieser Ausgang wurde speziell fur die Einspeisung in ein Mischpult oder in ein Aufnahmemedium konfiguriert, bietet ihnen also die volle Frequenzbreite. Jeder Verzerrertyp ist mit einer speziellen Lautsprechersimulation verbunden sofern sie diesen Ausgang benutzen (Sehen sie hierzu die Sektion Flexible Output Mode und Stereo Spectrum Set-up). Er ist ideal um ein Signal anzuheben ohne viel Verzerrung dem Signal beizugeben. Der DF-7 bietet ihnen jedoch zusatzlich durch die seperaten LOW, MID und MID FREQ Regler eine Tonflexibilitat um ihren Ton genau ihren Anspruchen entsprechend einzustellen. Stellen sie die Regler des DF-7’s LOW, MID, MID FREQ, HIGH, und GAIN auf die 12 Uhr Position um den Original Sound des Pedals zu reproduzieren. Es liefert ihnen einen satten Verzerreffekt der typisch fur die Gitarrensounds in den Mitt 70ern ist. Der DOD 250 ist ein Schlusselelement im Sound vieler Gitarristen. Der DF-7 bietet ihnen jedoch zusatzlich durch die seperaten LOW, MID, MID FREQ und HIGH Regler eine Tonflexibilitat um ihren Ton genau ihren Anspruchen entsprechend einzustellen. Er ist darauf spezialisiert mehr Verzerrung zu ihrem Toin zu addieren wahrend alle Spielnuancen beibehalten werden. Stellen sie die Regler des DF-7’s LOW, MID, MID FREQ, HIGH und GAIN auf die 12 Uhr Position um den Original Sound des Pedals zu reproduzieren. Er bietet ihnen den perfekten Mix aus Verzerrung und Sustain mit einem typischen Durchsetzungseffekt. Benutzen sie diesen Verzerrertyp um einen harmonisch reichhaltigen und scharfen Ton zu erhalten. Der DF-7 bietet ihnen jedoch zusatzlich durch die seperaten LOW, MID, und MID FREQ Regler eine Tonflexibilitat um ihren Ton genau ihren Anspruchen entsprechend einzustellen. Wir haben den Metal Master mit der Linksstellung (also 7 Uhr Stellung) seines Morph Reglers reproduziert. Diese Einstellung gibt ihnen einen sussen, singenden Solo Ton, mit vielen Mittenfrequenzen, um sicher zu stellen, dass sie sich in jedem Mix durchsetzen und gleichzeitig ein schones kontrollierbares Feedback haben. Der DF-7 bietet ihnen jedoch zusatzlich durch die seperaten MID, MID FREQ und GAIN Regler eine Tonflexibilitat um ihren Ton genau ihren Anspruchen entsprechend einzustellen. Flexible Output ModeTM Der DF-7 klingt nicht nur fantastisch wenn er an einen einzelnen Verstarker oder an einen Mixer angeschlossen wird es gibt zusatzlich zwei Ausgangsbetriebsarten die ausgewahlt werden konnen wahrend sie den Verzerrer Stereo Ausgange die entweder in zwei Verstarker oder auch in zwei Kanale am Mischpult (oder wahlweise einem Aufnahmegerat) angeschlossen werden konnen. Benutzt man eine dieser Betriebsarten erhalt man sechs verschiedene Stereo Spektren die ein Stereo Bild von recht eng bis dopplet so weit erschaffen. Anschlusse Die DF-7 Distortion FactoryTM ist mit einem einzelnen Eingang (INPUT) und einem Paar leistungsstarken Ausgangen ausgestattet, die an einen Verstarker OUT 1 (AMP) und an Mischer OUT 2 (MIXER) gleichzeitig angeschlossen werden konnen. Sie konnen diese Ausgange aber auch so konfigurieren, dass sie beide an einen Mischer (Mode 2 stereo), oder an zwei Verstarker (Mode 3 stereo) angeschlossen werden konnen. Betriebsart Eins enthalt kein Stereo Spektrum. Die LED wird nun fur eine Sekunde aufleuchten und dann ausgehen. 3. Wahrend sie den Fussschalter gedruckt halten warten sie bis die LED einmal aufgeleuchtet hat. 4. Lassen sie nun das Pedal los. (Halten sie das Pedal weiter gedruckt um durch die anderen Betriebsarten durchzuscrollen. Sie sehen dabei einmaliges zweimaliges und dreimaliges Aufleuchten der LED). Inbetriebnahme der Flexible Output Betriebsart bei Netzbetrieb: 1. Drucken sie den Fussschalter und halten sie ihn gedruckt. 2. Schliessen sie nun den optionalen Netzadapter an der dafur betreffenden Buchse an der Ruckseite des DF-7 an. Die LED wird nun fur eine Sekunde aufleuchten und dann ausgehen. 3. While holding the pedal switch, wait for the Indicator LED to flash once. 3. Wahrend sie den Fussschalter gedruckt halten warten sie bis die LED einmal aufgeleuchtet hat. 4. Lassen sie nun das Pedal los. (Halten sie das Pedal weiter gedruckt um durch die anderen Betriebsarten durchzuscrollen.